The design process behind this home reveals a measured, almost editorial sensibility - one that begins not with decoration, but with structure, proportion, and emotional pacing. Starting from a foundation of Brazilian modernist masterworks, each room appears to have been built around furniture as architecture - allowing historically significant pieces to shape circulation, spatial tension, and atmosphere.
worked through subtraction, not addition - removing the unnecessary, refining the palette, and letting the interplay of light, volume, and material carry the emotional weight. The architecture serves the furniture, not the reverse: neoclassical paneling and minimal ornamentation provide a quiet frame for the sculptural presence of each piece.
Texture and tone were approached like a musician would approach silence - controlling softness, weight, and rhythm with immense restraint.
There's a painterly control of color temperature throughout: ivory walls, ebonized accents, olive velvets, and warm woods all calibrated for balance and depth.
In short, the process feels more curatorial than decorative, more architectural than ornamental - elevating Brazilian modernist design by giving it the stillness and clarity it deserves.
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